10 Ways To Improve Your Photography Using Point-and-Shoot Cameras
Let’s face it. Point-and-shoot cameras are ridiculously easy to use (pushing a button ain’t difficult), they are as small and light as an iPhone, and the quality of the images is so good now that the Jpegs could be used for a magazine cover.
The problem is that most people take terrible pictures with them. Yes, the photos document friendships, special moments, and great memories, but how many times have you heard, “You should have been there because these pictures just don’t do it justice”?
If you would like to see a marked improvement in your picture taking skills, here is a list of things you can do that will make a big difference in your photography. These pointers apply to those of you who have more sophisticated cameras, too.
1. Shoot with the sun at your back
Front lighting evenly illuminates subjects, thus eliminating bad shadows and unattractive contrast.

2. Photograph people in the shade with a shaded background
Diffused light is the most complimentary type of lighting for outdoor portraiture. People don’t squint from a bright sun and there are no unattractive shadows on their face. Avoid shooting people when the sun is overhead or behind them.

3. Watch for cluttered backgrounds.
Busy backgrounds are distracting. Position yourself or your subject such that the background isn’t a mess and your pictures will improve significantly.

4. Fill the frame with the subject.
If you are shooting a person, don’t stand back 15 or 20 feet and include their feet. Move in close to fill the frame with their head and shoulders. Who cares about feet? The essence of people is their face.

5. When photographing children or pets, shoot at their level.
Photographing eye-to-eye will give you much more intimate and compelling images as opposed to standing at an adult height and shooting downward.

6. In low light circumstances, avoid blurred pictures by using a tripod, a flash, or a fast shutter speed.
If you hand hold the camera with slow shutter speeds (slower than 1/60th of a second), the pictures will not be sharp. Autoexposure is a great tool, but you still must be the master of the medium. Always watch what's happening to the shutter speed. If it gets too slow, you must either raise the ISO, use a flash (if the subject is fairly close to you), or use a solid support like a tripod to prevent camera movement during a long exposure.

7. Avoid extremely high ISO settings if possible.
The ideal is to shoot at 400 ISO or less because this gives you better picture quality for prints. High ISO settings like 800, 1600, and 3200 produce images that have too much digital noise. If you are shooting in a dark environment and your subject is out of flash range, then you have no choice but to use a high ISO setting.

8. Don’t shoot into shiny surfaces with a flash.
This will give you an wanted reflection. Stand to the side and shoot at an oblique angle, and you will avoid the glare from the flash in glass, chrome, varnished wood, polished marble, etc.

9. Use daylight white balance when shooting outdoors.
Don’t use auto white balance, especially at sunrise and sunset. The colors will be disappointing. If you want to capture the golden tones that we love so much about sunrise and sunset light, use daylight WB. I use AWB only for shooting florescent illumination. For indoor photography, use tungsten WB (some cameras say 'indoors').

10. Don’t only shoot horizontal pictures. Shoot vertical ones as well.
Turning the camera 90 degrees is a simple thing to do, and when photographing people, architecture, and trees, for example, a vertical composition may be more attractive than a horizontal one.

Can you fix the focus on a blurry photo after the fact?
The birth of Mirrorless Cameras
MiMedia, letting you access your media, wherever you are
Lightroom 4 on Apple's Mac App Store
Choosing your first dSLR camera
New York City can be beautiful!
The Fujifilm Finepix X10, A Review
Choosing the Right Light Stand
Photojojo iPhone Telephoto Lens review — AudioCast
My week with Q
How To Become A Successful Photographer
"When the Wind Stopped" — poem with 4 photos
Strategies for shooting action
20 Tips for Insects on Flowers
Cast aways - saving those photographic memories
One Man Show: My 25 Years With Digital Photography
Studio, Flash, & Available Light — Three Books Reviewed
Portrait styling: dangerous pairings
Adobe Photoshop CS6 Product Managers Interview Audiocast
A gift of flowers: unfold your senses
On Set of "Love & Robots" the Film
Ilford Galerie Gold Fibre Silk Inkjet Paper — Audiocast











Planning “National Geographic” style photo travel
Wilderness Travel 1 Rainforests – Essential Gear
Backlighting Basics
A Brief History Of Light & Photography: Part 3 of 3
A Brief History Of Light & Photography: Part 2 Of 3
What Moves You?
FIGURES IN MOTION: Decades of Evolving Personal Imagery in Photography, Part 7
Lomography Store, Austin, Texas — GALLERY
GALLERY — Up to $1,000 Reward for Cattle Rustlers
Taking your Portraiture Higher
The "Bible" of Time-Lapse Photography
Interview with Harold Davis — Closeup Maestro of Flowers & Water Drops
Interview with Steve Caplin — Photoshop Digital Artist, Commercial Illustrator, & Author
Easy technique to select, edit and sequence keywords for web
How much should you charge for a photograph?









































Comments
Post new comment