The Frugal Photographer : Using Accessory Conversion Lenses

Extend your camera's versatility and save money with inexpensive accessory lenses.

Most digital SLR cameras come with what are called “kit” lenses. These are typically 28-83mm (in 35mm focal length) zoom lenses that go from a modestly wide angle to a nearly telephoto one. But this is a pretty limited focal range that a lot of folks discover they grow out of quickly. But for the armchair photographer and the Sunday snap shooter who wants to expand their vision but are turned off of having to buy an expensive additional lens for their dSLR, there is an inexpensive alternative.

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And that is to get inexpensive accessory conversion lenses. These small lens attachments are simple to use. They just screw into the filter thread in the front of your existing kit lens and you are ready to shoot.

Best of all if you have a camera with a fixed, non-interchangeable lens, like a superzoom (bridge or EVF type) or a Point and Shoot, you can get attach the conversion lenses directly onto the lens filter screw or via a special adapter.

There are two types of accessory conversion lenses, wide angle and telephoto devices. These all generally change the focal length of your original lens without causing any light loss at the sensor. Note that there is a type of telephoto conversion lens that mounts between the lens and the camera body but it causes a stop or two of light loss, so I’m not too fond of it.

I particularly like wide angle converters because they literally help me get out of tight situations. The power of a wide angle converter is listed as .80X 0r .75Xor .50X or .40X. This refers to how much the conversion lens alters the lens you are using it on. With a kit lens set to its widest focal length of 28mm to find its new focal length multiply the conversion lens factor by the original focal length. An .80X conversion turns a 28mm lens in the equivalent of a 22.4mm (28mmx .80X). Similarly a .50X turns a 28mm into a super wide 14mm lens—which is just about a fisheye lens.

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On the other end of the spectrum are the telephoto conversion lenses. These increase the focal length of the lens they are mounted on. They range in power from a modest 1.4X to killer 4X power.

I’ve seen “macro conversion lenses” marketed on eBay as part of a wide angle/macro conversion lens, but these are really just single power close-up lenses rather than a true conversion lens.

But there is no such thing as a free lunch.

Conversion lens vary in quality and even the best are limited by how much they can change the focal length of a lens. My experience is that bigger the change, the lower the image quality. For example my .80X wide angle conversion lens is a superb optic that produces an image quality that is equivalent to my lens without it. You can see that in the enlargements of sections of images shot with and without the device.

When I switch from my .80X to a .50X power conversion lens, problems start right away. First the corners of the frame go dark (this is called vignetting) and the detail at the edges of the frame become soft and badly defined. Similarly, a 1.4X telephoto conversion lens will produce very close to the same image quality as the lens it is on, but pushing past 2X you begin to see image quality loss.

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Generally conversion lenses range in price from about $30 for a generic third party device to over a $100 for a proprietary brand name model, well below what you would pay for a new interchangeable lens.

Conversion lenses can be found at the usual outlets for camera equipment as well as eBay. And remember to get a conversion lense that has the same size filter thread as the adapter or lense you are using it with.

Top photo: Soap display, a wide angle close up taken with an .80X conversion lens on my kit zoom lens at 28mm.

Comments

First, what kit lenses are 28-80? They're almost all 18-50/55. By stating that they are 28-80 (in 35mm focal length) you're not only being incorrect, you're perpetuating a myth.

Second, why buy any form of SLR, D or otherwise, if you are going to rely on extremely questionable optics like this? The point of the SLR system is interchangeability of lenses.

Someone considering this should simply buy a high end point and shoot, any Canon will do, and be happy. They'll get more use than slapping on low quality optics on an already questionable kit lens.

Anonymous
Anonymous

I dunno...there are a whole hell of a lot of reasons to shoot with a dslr besides interchangeable lenses, and not everyone can afford the best ones. I had a lot of fun attaching the old Olympus T-CON 14b to my Sigma 30mm f/1.4 in 4/3rds mount; it created an autofocus lens that otherwise doesn't exist in the format (85mm 1.4). Yea, it was soft, which worked perfectly for a portrait lens. And it was less than 30 bucks off ebay.

It's fun playing around with cheap accessories.

Steve Meltzer
Pixiq Expert

BB

How odd. I'm calling this the Frugal Photographer and it is not aimed at professionals but rather the other folk. People who might not make prints bigger than 8.5x11 or want to spend lots of money on their photography.

So why did you say just go out and buy a high end camera. That's besides the point of what I'm talking about.

And what's crappy about the example I showed where the conversion lens image was almost a match to the original lens?

And the kit lens on my camera is a 15-45 which is besides the point as it was only a number I choose to cover the general kit lens range.

Also to FG if you have an EVF or P&S these lenses are a way to expand the focal length you are otherwise stuck with. Its not just for dSLRs

Steve Meltzer
Pixiq Expert

PS An 18-50mm kit lens on a dSLR is a 35mm equivalent of 27mm-75 or if it is an 18-55mm the equivalent range is then 27-82.5mm so 28-80 wasn't pretty good but I hear my readers and I've changed it to a compromise of 28-82.5mm.

First, a "high end" point and shoot is less than a beginner DSLR, so the frugal point remains.

Second, putting low quality optics on top of other optics causes flaring, ghosting, AND image degradation.

Finally, the 18-50mm kit lens is not a 35mm equivalent of 27-75. It has the field of view of 27-75, but it is, in fact, the 35mm equivalent of 18-50. Field of view differences are the only difference.

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