A Hasselblad Returns
Kerrrrrchunck!
Church Building - Mendon, NY - © John Neel
My old Hasselblad 500 C/M had an amazing feel. I loved the sharp and beautiful Zeiss Planar lens. The view of my subjects on its square ground glass was exciting to see. I remember relying on my knowledge of light and my confidence in the camera to give me what I saw through the glass. I remember the overlapping sound of the Synchro-Compur shutter, the rear shutter and the mirror as they opened and closed in triple synchrony. I remember the sound as being very distinct - Kerchunck! - as it captured a slice of time and light. It was a marvelous camera!
A Hasselblad, like a Leica, in terms of quality, engineering and design feels like a photographer's camera. It has a great feeling in the hands. It is fast and easy to use. The controls are where they need to be. Your fingers know where to go. The shutter has a unique design that keeps the equivalent exposures set at any position of aperture or shutter speed. The shape and the weight give it stability. The format allows you to see the world from the waist or the eye. This is a camera for making great images.
Kerrrrrchunck!
Facing some hard times a few years back, I had to sell many of my most prized cameras. At the time, my Leica M3 cameras and lenses and my Hasselblad equipment would bring the highest bids, so they went up for sale to cover some immediate debts.
While they were not digital, they were the best cameras I have ever owned. They were cameras that allowed me to capture amazing images of the things I loved to photograph. They were intuitive and they were fun to use! They were extraordinary mechanical wonders and I have missed them ever since.
Hasselblad and Leica were both being collected by collectors and users and the prices went through the roof. I could not afford to pay the high prices that dealers were asking and was resigned to never owning one again.

I was recently given the beautiful Hasselblad above by my dear friend, documentarian and photographic colleague Carole Gallagher. Carole is the author of American Ground Zero: The Secret Nuclear War, a startling look at the effects of atomic fallout from the nuclear testing in the American West on those people who lived downwind. Carole's beautiful black and white photographs taken of the victims and families who were affected by radioactive contamination are a dramatic account of their involuntary participation in the atomic age.
Having had to sell my own, this beautiful camera has rekindled my love for the old Hassey! I am forever grateful for this renewed opportunity to relive my past with this splendid gift.
Kerrrrrchunck! ....................I love that sound!
All images and text in this post © John Neel
Please read all of my blog posts on Pixiq.
- Tagged with:
- Carole Gallagher
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- John Neel
- planar
- square
- Sweden
- Zeiss-Ikon
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Comments
Ker*swoosh*, please! ;)
I can here it my way and you can here it yours! : ) That is perfectly fine with me!
To me, it's more like "Qua-passh!" :)
Maybe Hasselblad's have many different voices. : )
John, my Hasselblads were old and weathered but they were my best friends. When I shot Hasselblad all I concentrated on was lighting and posing and expressions. The camera was an extension of my eye and my personality. I never "thought" about the camera, just about the results.
I miss that feeling. Digital is great for so many reasons, but I have never bonded with it the way I did with my Hassie. And I miss square...so much. I hate having to turn the camera now check controls, etc....just makes me think too hard and distracts me so much from the real image at hand. I know technology is awesome and I love that we can post process to amazing results. But that Hassie was my best friend.
You have hit on the things I miss as well. You also hit on the idea of concentrating all of your attention on the subject because the camera is so instinctive to use. Bonding with your camera seems to be easier to do with analog.
I am using mine as a film to digital solution. I shoot with film and scan it into the computer. That to me is just as much digital as anything.
Digital is great but I get a kick out of the good stuff.
Camera love will never be the same!
John,
When I was in the navy as a photographer, I used a Leica M2 and I loved that camera! But I never made enough money to have one of my own plus the 21, 35, 50 and 90 mm lenses. After the navy I worked for a portrait studio and I got to use a Hassie with many lenses but I could not afford those ether.
In 1993 I bought two Kiev 88 cameras and 30, 45, 65, 80, 120, 250 and 300mm lenses at a cost of less that one 500C. I've photographed many weddings and thousands of portraits with them plus a few commercial jobs. Although I've switched to digital in 2003, I still have the Kiev cameras and every now and then I'll run some black and white film through them for the fun of it. True, they are not Hassie quality and they make funny noises but they are still a pleasure to use for many of the reasons you and Marilyn give. Just viewing through that big bright square viewfinder is wonderful!
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