Three Incredible Timelapses — Inspiring You to Get Out and Shoot
Timelapses can be amazing when done properly — and though I don't know how to do them very well (yet), I do know how to recognize them when I see them — and I'm here to share three recent incredibly beautiful examples.
And, in case you're interested in learning about how to do timelapses like these, I highly recommend the site timescapes.org — a site that was set up by Tom Lowe (@timescapes) (see his latest timelapse — second one below) and Jay Burlage (@MILapse) from Dynamic Perception (@DynPerception). The folks at Dynamic Perception are creating some inexpensive motion rail systems with timelapse timers involved if you're looking to get started in this endeavor (read more). As you'll see in these samples, timelapses often have camera movement in them now, making them just a little bit more visually appealing.
The first is from Australia called Salt (a film by Michael Angus and Murray Fredericks) and you can actually buy this one on DVD. This is just the 'trailer'. It is incredible because Murray takes these five-week-long treks out on this salt bed lake (which is dry most of the time) which gives some beautiful backdrops to make timelapses.
And this one just released this morning from Tom Lowe — one of the founders of timescapes.org that we mentioned above — he's spending an entire year making timelapses for a new feature length project he's calling "Timescapes".
And then I found this one from Dustin Farrell that I blogged a few days ago (there's much more background info on my blog). The stills in the gallery at the top of this post are from Dustin's project.
Those are three incredible examples!
Hope you enjoyed them and maybe they'll inspire you to get out and shoot something.
planetMitch
- Tagged with:
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- continuous shooting
- HDSLR
- Shooting
- timelapse
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Comments
Can you expand a bit upon how the time lapses with the stars in the background are done/lit? How are the rocks illuminated at the same time the sky is dark with stars?
Emily,
I'm guessing he used a 10-20 second exposure to get the night sky and a brief flash to light of the foregrounds. Sometimes it is amazing how much the "dark" ground lights up with a 10-20 second exposure, especially if there is some moon.
JP
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