Which Infrared Filter is Right for You?

Analyzing Infrared Filter Transmission Rates and Filter Numbers

When trying to describe what an IR filter is actually doing, we often talk about transmission rates. A filter is designed to absorb certain wavelengths. For IR filters, we are concerned with blocking near infrared wavelengths (from approximately 700 to 1100 nanometers (nm) and the shorter visible wavelengths (about 650 to 700 nm).

If a filter (such as an Wrattem 89B) has a 0% transmission rate at 680 (nm), it is cutting out all wavelengths below that number, thus most of the visible spectrum. In general, filters don’t suddenly turn on or off at a given wavelength, but block wavelengths at a progressive rate of change. This will vary from filter to filter. Therefore, the filter with 0% transmission of wavelengths of 680 nm might exhibit a 50% transmission of wavelengths of 720 nm, meaning that 50% of the radiation with a wavelength of 720 nm is transmitted (and 50% is not transmitted). Typically the rate of change rises quite sharply, so this particular filter may be transmitting 85-90% or more of radiation with wavelengths of 750–775 nm.

It would be nice if all filter manufacturers adopted a logical numbering system to identify their filters, but that is not the case. For example, a Hoya R72 starts to transmit wavelengths above 720 nm, but the company’s RM90 transmits wavelengths above 820 nm. By contrast, the Wratten 89B, which is similar to a Cokin 007, allows wavelengths beginning at 680 nm to pass.

Filters

Color

Approximate nm transmission

KODAK Gelatin Wratten

B+W

Cokin

Heliopan

Hoya

Lee

Singh Ray

Tiffen

0%

50%

Yellow/Orange

520 or shorter

540

#16

099

         

16

Red

580 or shorter

600

#25

090

003

1025 (RG 590)

25A

25

 

25

Dark Red

600 or shorter

620

#29

091

 

1029 (RG 630)

       

Darker Red

645 or shorter

680

#70

             

Extremely Dark Red

680 or shorter

720

#89B

092

007

5695 (RG 695)

       

Nearly opaque

700 or shorter

750

#88A

   

5715 (RG 715)

       

Opaque: cuts all visible

720 or shorter

800

#87

   

5780 (RG 780)

R72

87

 

87

Opaque

790 or shorter

850

#87C

093

 

5830 (RG 830)

 

87C

   

Black

820 or shorter

930

#87B[a]    

5850 (RG 850)

RM90

     

Black

880 or shorter

1050

#87A[a]    

5100 (RG 1000)

RM100

     

Black

[b]

             

I-Ray

 

[a] *No longer produced by Eastman Kodak

[b] transmits over 90% IR wavelengths between 700 and 1100 nm

 

 Full range of Wavelengths (in nanometers)

From

To

Ultraviolet

4

(invisible)

380

Violet

380

(visible)

410

Indigo

410

(visible)

430

Blue

430

(visible)

520

Green

520

(visible)

560

Yellow

560

(visible)

580

Orange

580

(visible)

650

Red

650

(visible)

700

Infrared

700

(invisible)

105

All ranges are approximate; there is some overlap between colors.

infrared filter

A comparable filter is called 092 when manufactured by B+W. A Wratten 87 is the equivalent of a Heliopan 5780 (sometimes called am RG 780) and a Tiffen 87! See what I mean?

While this lack of a standardized numbering system can be a source of confusion, it is just the way that filters and lots of other stuff have been handled in photography, with each manufacturer creating a numbering system as they go (you’ll need a Rosetta Stone to help you decipher it all).

This Post Comes From

Complete Guide to Digital Infrared Photography

Complete Guide to Digital Infrared Photography

Cameras can capture what the eye can’t perceive: the presence of infrared light. And shooting infrared (IR) with a digital camera makes it easier than ever to create distinctively dreamlike, high-contrast black-and-white pictures. Using a wealth of stunning images, this thorough resource explores the technical and creative possibilities of this unique and increasingly popular medium. Get tips on focus and exposure; IR filters; and having a camera converted to shoot specifically in infrared. Follow instructions for processing and printing the photos—including toner effects and faux color. One glance through this guide and it’s clear why infrared pictures are fun to take and beautiful to look at.

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