Which Infrared Filter is Right for You?
Analyzing Infrared Filter Transmission Rates and Filter Numbers
When trying to describe what an IR filter is actually doing, we often talk about transmission rates. A filter is designed to absorb certain wavelengths. For IR filters, we are concerned with blocking near infrared wavelengths (from approximately 700 to 1100 nanometers (nm) and the shorter visible wavelengths (about 650 to 700 nm).
If a filter (such as an Wrattem 89B) has a 0% transmission rate at 680 (nm), it is cutting out all wavelengths below that number, thus most of the visible spectrum. In general, filters don’t suddenly turn on or off at a given wavelength, but block wavelengths at a progressive rate of change. This will vary from filter to filter. Therefore, the filter with 0% transmission of wavelengths of 680 nm might exhibit a 50% transmission of wavelengths of 720 nm, meaning that 50% of the radiation with a wavelength of 720 nm is transmitted (and 50% is not transmitted). Typically the rate of change rises quite sharply, so this particular filter may be transmitting 85-90% or more of radiation with wavelengths of 750–775 nm.
It would be nice if all filter manufacturers adopted a logical numbering system to identify their filters, but that is not the case. For example, a Hoya R72 starts to transmit wavelengths above 720 nm, but the company’s RM90 transmits wavelengths above 820 nm. By contrast, the Wratten 89B, which is similar to a Cokin 007, allows wavelengths beginning at 680 nm to pass.
Filters
|
Color |
Approximate nm transmission |
KODAK Gelatin Wratten |
B+W |
Cokin |
Heliopan |
Hoya |
Lee |
Singh Ray |
Tiffen |
|
|---|---|---|---|---|---|---|---|---|---|---|
|
0% |
50% |
|||||||||
Yellow/Orange |
520 or shorter |
540 |
#16 |
099 |
16 |
|||||
|
Red |
580 or shorter |
600 |
#25 |
090 |
003 |
1025 (RG 590) |
25A |
25 |
25 |
|
|
Dark Red |
600 or shorter |
620 |
#29 |
091 |
1029 (RG 630) |
|||||
|
Darker Red |
645 or shorter |
680 |
#70 |
|||||||
|
Extremely Dark Red |
680 or shorter |
720 |
#89B |
092 |
007 |
5695 (RG 695) |
||||
|
Nearly opaque |
700 or shorter |
750 |
#88A |
5715 (RG 715) |
||||||
|
Opaque: cuts all visible |
720 or shorter |
800 |
#87 |
5780 (RG 780) |
R72 |
87 |
87 |
|||
|
Opaque |
790 or shorter |
850 |
#87C |
093 |
5830 (RG 830) |
87C |
||||
|
Black |
820 or shorter |
930 |
#87B[a] |
5850 (RG 850) |
RM90 |
|||||
|
Black |
880 or shorter |
1050 |
#87A[a] |
5100 (RG 1000) |
RM100 |
|||||
|
Black |
[b] |
I-Ray |
||||||||
|
[a] *No longer produced by Eastman Kodak [b] transmits over 90% IR wavelengths between 700 and 1100 nm |
||||||||||
Full range of Wavelengths (in nanometers)
|
From |
To |
||
|---|---|---|---|
|
Ultraviolet |
4 |
(invisible) |
380 |
|
Violet |
380 |
(visible) |
410 |
|
Indigo |
410 |
(visible) |
430 |
|
Blue |
430 |
(visible) |
520 |
|
Green |
520 |
(visible) |
560 |
|
Yellow |
560 |
(visible) |
580 |
|
Orange |
580 |
(visible) |
650 |
|
Red |
650 |
(visible) |
700 |
|
Infrared |
700 |
(invisible) |
105 |
|
All ranges are approximate; there is some overlap between colors. |
|||

A comparable filter is called 092 when manufactured by B+W. A Wratten 87 is the equivalent of a Heliopan 5780 (sometimes called am RG 780) and a Tiffen 87! See what I mean?
While this lack of a standardized numbering system can be a source of confusion, it is just the way that filters and lots of other stuff have been handled in photography, with each manufacturer creating a numbering system as they go (you’ll need a Rosetta Stone to help you decipher it all).
Can you fix the focus on a blurry photo after the fact?
The birth of Mirrorless Cameras
Choosing your first dSLR camera
New York City can be beautiful!
The Fujifilm Finepix X10, A Review
Choosing the Right Light Stand
Photojojo iPhone Telephoto Lens review — AudioCast
My week with Q
How To Become A Successful Photographer
"When the Wind Stopped" — poem with 4 photos
Tips for Textures
Butterflies in Motion
Cast aways - saving those photographic memories
One Man Show: My 25 Years With Digital Photography
Studio, Flash, & Available Light — Three Books Reviewed
Portrait styling: dangerous pairings
Adobe Photoshop CS6 Product Managers Interview Audiocast
A gift of flowers: unfold your senses
On Set of "Love & Robots" the Film
Ilford Galerie Gold Fibre Silk Inkjet Paper — Audiocast











Planning “National Geographic” style photo travel
Wilderness Travel 1 Rainforests – Essential Gear
Backlighting Basics
A Brief History Of Light & Photography: Part 3 of 3
A Brief History Of Light & Photography: Part 2 Of 3
What Moves You?
FIGURES IN MOTION: Decades of Evolving Personal Imagery in Photography, Part 7
Lomography Store, Austin, Texas — GALLERY
GALLERY — Up to $1,000 Reward for Cattle Rustlers
Taking your Portraiture Higher
The "Bible" of Time-Lapse Photography
Interview with Harold Davis — Closeup Maestro of Flowers & Water Drops
Interview with Steve Caplin — Photoshop Digital Artist, Commercial Illustrator, & Author
Easy technique to select, edit and sequence keywords for web
How much should you charge for a photograph?











































