Concert Photography Tips Part 2!

More tips on how to stand out with your concert shots.

Most of the time when you go to shoot a concert you get the first 3 songs to shoot from the pit, and then if you're lucky you can shoot from elsewhere in the venue. There are the few times when either the security guy working the pit is new, or the band doesn't restrict you to only the first 3 songs. Now you have hours to shoot the same few people from the same spot. What do you do? Get creative!  I've been wanting to experiment with some longer exposure shots at concerts for a while, but usually can't waste precious time on shots that might turn out terrible, or at least useless for publication. Why long exposure? Well other than the obvious (the music) one thing that is often lost in the quest for the ultimate sharp image is: movement! Sometimes we photographers are so worried about sharpness that we forget that a little motion blur can add to a photo. When a guitar player is violently attacking a solo, he's usually not standing still posing for you, he's moving, and that's part of the show. So why not include that in some photos now and again?

I got this idea from a wonderful photograph of Tina Turner by Bob Gruen, which you can see about halfway down the linked page. None of mine turned out nearly as crisp as his shot, but it was fun trying.

In Gruen's great shot, it's pretty safe to assume that the strobe light was the only, or almost the only light illuminating Tina, allowing for the very definitive 5 different Tinas. I didn't get so lucky at the Nokia Theater. The front lights were horrible LEDs and the backlighting was ever-present. This next photo was the closest I got to that type of strobe shot. The strobe light was going off, but the yellow lights were so strong that Jake's face and guitar aren't as crisp as they would be if it were only the strobe light, but you can still make out 3 distinct faces in the photo. This shot is ISO 200, at 0.2s, f/3.5, 50mm.

Jake Cinninger of Umphrey's McGee

This next shot is with the Tokina 11-16mm, taken at 11mm, ISO 200 at 0.6s f/9. Shooting with such a wide lens allows you to shoot handheld at such a long exposure and still keep the stationary objects sharp while getting the motion of the musicians.

Umphrey's McGee

These aren't the greatest examples of long exposure concert shots I'm sure, so if you have any of your own, post link in the comments below! 

Comments

Here's some of my style. Below is the legendary punk band Scream and then Ice-T.

Of course i'm shooting w/ flash, so it's not as challenging as handheld.

I'm super fascinated w/ flash motion or live motion, and flash is the x factor, but after years i have it down and enjoy shooting this way.

Thanks for the info. _Mg

I had a first experience doing some photographs of a band at a live gig, and would love some feedback. Please link to pages on my flickr account. Most images shot at ISO3200+ and a various mixture of F stops, can advise further if you enquire on a partucular image, however all exif data should be present on each image on flickr. Light was all 'natural' from venue lighting system.

http://www.flickr.com/photos/psionicwill/sets/72157625831036090/with/535...

Wil I like your shit man. The moods are lovely and follow the colour of the show. Tell me Wil are you pushing your iso and if so how do you feel about the end out-put you get? PEACE FROM BROOKLYN _MG

Hey Mark, thanks man! Yes I am pushing the ISO as much as I can.

Two factors help handle this quite well IMO in achieving a decent end out put:

1) I am using a Canon 5d Mk2 and the Canon f2.8 24-70mm lens, so the quality of these 2 pieces of kit help me push the boundaries quite a bit here..

2) The images were post processed in Adobe Lightroom 2.7, and the the excess noise is handled perfectly by the software without creating an unrealistic look.

That's my camera too!
Thanks for the insight.

I made the grave mistake of working first raw from aperture, still am thinking to make the switch to LR.

There are people out there hacking this camera, and twicking the algorithm, for time laps and pushing a finer pixel grain. _Mg

Peep this cutting edge stuff on the 5DMII:
http://vimeo.com/19107357

That is interesting to read about people hacking the camera algorithim, love human natures never being satisfied, and always pushing further.. :)

I have just started using Lightroom 3.2 and this is even better at noise than 2.7.

Love what people are doing with the 5D Mk2, feel very priveledge to own one of these camera's. I see there is talk of Mk3 at some point this year.

Thanks for the tip, this Patryk Kizny looks like quite the creative genius.

A shot i made at an ELO2 concert in Dallas a few years back. Using a Nikon 995 coolpix from the 2nd or 3rd row. I enjoyed the blur-motion that I couldn't HELP but get with the slow shutter speeds in the live lighting.

Jim

Eric Reichbaum
Pixiq Expert

Mark: While those shots are pretty cool, I never use a flash as most venues strictly prohibit it, and even if they don't bands usually hate it. That being said, if you can get a band's permission to use flash, you can definitely get some good results!

Wil: I really like the 1st and 3rd. Really great quality for such high ISO!

JP: Definitely a cool shot for a Coolpix! Would be great just a smidge faster of a shutter speed to try and sharpen his face while keeping the hand movement.

Love the work guys, keep them coming

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