Diffusers Save the Day
Reduce the Dynamic Range with a Diffuser in Sunlight
Walking outside with a camera plus several lenses should cover most scenarios, from landscapes to tree portraits and close-ups. But there are three additional lightweight items - a reflector, a diffuser and the Honl Traveller 8 Softbox (already covered in an earlier post) - that allow for complete control of the light for any close range or macro shot.

In direct sunlight, carrying a diffuser is like having your own mini-cloud to hand. Simply by holding it between the sun and the subject, it removes shadows to create a softer, less intense light. It can make the difference between a shot that appears jarring to the eye with harsh shadows and one that is restful—especially if there are mainly pastel tones.

The great thing about a diffuser is you can see the effect before releasing the shutter, but remember to meter with the diffuser in position. A diffuser also helps to decrease the HDR and reduce or even eliminate clipped highlights from the frame.


Here are some before and after examples, plus a few after ones when I failed to take the before shot. Nonetheless, they still give a good feel of the advantage gained by placing a diffuser between the sun and the subject.

I use an array of sizes ranging from a small 12 inch (30 cm) diameter one for intimate macro shots to the large 30 inch (75 cm) Lastolite Trigrip. The latter is easy to hold firmly in one hand without it wavering around in the wind, thereby freeing up the other to release the shutter.


You can make your own diffuser out of fine white cotton material (not too thick) stretched over a wire coat hanger pulled out to form a circular frame.

- Tagged with:
- diffused
- diffuser
- field photography
- Heather Angel
- highlights clipped
- Lighting
- soft
Can you fix the focus on a blurry photo after the fact?
The birth of Mirrorless Cameras
Choosing your first dSLR camera
New York City can be beautiful!
The Fujifilm Finepix X10, A Review
Choosing the Right Light Stand
Photojojo iPhone Telephoto Lens review — AudioCast
My week with Q
How To Become A Successful Photographer
"When the Wind Stopped" — poem with 4 photos
Tips for Textures
Butterflies in Motion
Cast aways - saving those photographic memories
One Man Show: My 25 Years With Digital Photography
Studio, Flash, & Available Light — Three Books Reviewed
Portrait styling: dangerous pairings
Adobe Photoshop CS6 Product Managers Interview Audiocast
A gift of flowers: unfold your senses
On Set of "Love & Robots" the Film
Ilford Galerie Gold Fibre Silk Inkjet Paper — Audiocast











Planning “National Geographic” style photo travel
Wilderness Travel 1 Rainforests – Essential Gear
Backlighting Basics
A Brief History Of Light & Photography: Part 3 of 3
A Brief History Of Light & Photography: Part 2 Of 3
What Moves You?
FIGURES IN MOTION: Decades of Evolving Personal Imagery in Photography, Part 7
Lomography Store, Austin, Texas — GALLERY
GALLERY — Up to $1,000 Reward for Cattle Rustlers
eyePhone: The eBook for iPhone Photographers
Taking your Portraiture Higher
Interview with Harold Davis — Closeup Maestro of Flowers & Water Drops
Interview with Steve Caplin — Photoshop Digital Artist, Commercial Illustrator, & Author
Easy technique to select, edit and sequence keywords for web
How much should you charge for a photograph?









































Comments
Heather, thanks so much for this article. You presented the material convincingly. I don't currently use reflectors or diffusers in the field but your well structured argument has me convinced that it's worth the additional gear in the pack.
Thanks Keith for your comments. You won't regret the additional weight!
Post new comment