EXTREME PHOTOGRAPHY: How To Shoot At Much Lower Shutter Speeds
Discover how to handhold for better shots with Experimental Digital Photography
Test Shot At 1/2 Second Handheld
Join me on Facebook. Become a 'fan' of my Facebook page on Experimental Digital Photography. Click on the 'like' button at the top of the Facebook page.
NOTE: This is the first of a series of articles about understanding and controlling shutter speed. I will cover each factor in depth in upcoming articles, factors such as lens focal length and subject movement. Stay tuned.
A man who ran a photographic print lab told me, "The number one reason for blurred or unsharp photos is due to camera shake." This means that the shutter speed and/or a photographer's technique for steadying a camera is critical. And understanding how to work with shutter speeds is a key skill for any advanced photographer.
Handholding a camera at very slow shutter speeds is one of the secrets pros know about -- yet the technique is often unknown to the general public. Handholding gives the photographer huge flexibility both in movement, timing and position. On the other hand a tripod is intrusive, slow and once set up, hard to change. Pros can often get 'impossible' shots because they know how to handhold and get sharp or acceptable photographs under difficult conditions.
Steady handholding has another advantage. It allows you to shoot in lower light situations: it's like going from a f/4 lens to a f/1.0 lens for free -- you now have much more light to work with.
So what is the secret? Well, if it were simple, I would not need to write an article. Yet with digital, the instant feedback on the monitor can tell you immediately if you are steady enough. In addition digital will let your customize your handholding ability for a particular shooting session.
GOOD NEWS
I have been able to handhold at 1/2 second to get quite clear and sharp photos. The general rule of thumb used to be that 1/30 second was the minimum with a normal lens but with my digital camera I have gained 4 stops over what I was able to do with film.
Look at the example photos at the beginning of this article. For this test shot I chose fabric with a detailed pattern -- the fine detail makes it easy to detect any blur or camera shake. This was taken with a 1/2 second shutter speed and shot handheld at about an 87mm (35mm equivalent) focal length. If you download this copyrighted shot for your personal use only, you can view the EXIF data. From Rick Doble's book: Experimental Digital Photography (Lark Books/Sterling Publishing, New York/London, 2010) -- see a description of the book at the bottom of this page.
WHAT'S THE CATCH?
Unfortunately there is no absolute calculation that will work in every situation. In fact you must customize your handholding shutter speed for each picture session. This means you will have to do a few quick tests at the beginning of each session -- starting with a shutter speed that has worked in the past and then going up and down several shutter speed settings. Finally you will need to view and judge the results on the LCD monitor at the back of your camera. But even then there's a trick you need to know which I'll discuss in a future article.
Join me on Facebook. Become a 'fan' of my Facebook page on Experimental Digital Photography. Click on the 'like' button at the top of the Facebook page.
Can you fix the focus on a blurry photo after the fact?
The birth of Mirrorless Cameras
The Joy Of Winning A Photo Contest
Choosing your first dSLR camera
New York City can be beautiful!
Choosing the Right Light Stand
Photojojo iPhone Telephoto Lens review — AudioCast
My week with Q
How To Become A Successful Photographer
"When the Wind Stopped" — poem with 4 photos
Creating The New Family Portrait
Tips for Textures
Cast aways - saving those photographic memories
One Man Show: My 25 Years With Digital Photography
Studio, Flash, & Available Light — Three Books Reviewed
Portrait styling: dangerous pairings
Adobe Photoshop CS6 Product Managers Interview Audiocast
A gift of flowers: unfold your senses
On Set of "Love & Robots" the Film
No-Brainer Setup For A Digital Photo Frame Exhibit - Part 3











Planning “National Geographic” style photo travel
Wilderness Travel 1 Rainforests – Essential Gear
Backlighting Basics
What Moves You?
FIGURES IN MOTION: Decades of Evolving Personal Imagery in Photography, Part 7
Lomography Store, Austin, Texas — GALLERY
GALLERY — Up to $1,000 Reward for Cattle Rustlers
25% off on photography eBooks
eyePhone: The eBook for iPhone Photographers
Interview with Harold Davis — Closeup Maestro of Flowers & Water Drops
Interview with Steve Caplin — Photoshop Digital Artist, Commercial Illustrator, & Author
A Brief History Of Light & Photography: Part 3 of 3
A Brief History Of Light & Photography: Part 2 Of 3
Easy technique to select, edit and sequence keywords for web
How much should you charge for a photograph?







































