Faux Photography
Processed Fakery
Fly - © Jiohn Neel Poladroid
We've all tried to use some of the effects available in photoshop to add a different look to our digital images.
fauxtography means false or faked photography
"Fraudulent photography. News images that have been faked by various means, generally to promote an ideological agenda or to manipulate the emotions of the viewer. (Derived from a combination of the French term faux meaning “false,” and “-tography,” the second half of the word “photography.”)
The word was first used to describe the doctoring of photographs by Reuters photographer Adnan Hajj during the Lebanon War of 2006, and has since been generalized to mean any dishonest or faked news photo.
Methods for creating “fauxtographs” include: using Photoshop (or similar software) to digitally alter the photo; photographing staged scenes or simulated news events and presenting them as real; interfering with or manipulating photo subjects to creat a “more effective” picture; adding inaccurate and/or misleading captions.
and…
A single image may be referred to as a 'fauxtograph' or 'fauxto' and could depict flying saucers, ghosts or the head of a famous celebrity on a naked body.
and…
Staged, doctored, or misleadingly cropped or labeled photographs intended as war propaganda, particularly to further the interests of terrorist groups such as Hizbollah and Hamas." - Urban Dictionary
"Misleading presentation of images for propagandistic or otherwise ulterior purposes, involving staging, deceptivemodification, and/or the addition or omission of significant context" -Wiktionary
However, I am using the term to describe something a bit different. After all, the act of falsifying anything is fakery and therefore a faux activity. I use the label here to discuss the simulation of another photographic medium by digital means.
Film, TV, video, imaging toys, early computers, dot matrix printers, alternative photography have produced hundreds of different looks over the past Century and a half. All of those looks represent the history of photography and are potential fodder for fauxtography.
Generally for the purpose of this article, Faux Photographers as I will call them, are photographers and software users that strive to recreate the look and feel of photographic processes using software tools. Creating images that attempt to look like the real thing can be done with a computer and some know how. In some cases it is simply done with a plugin or an app.
The list below contains many links to groups that practice some form of faux manipulation of photographs. The list also contains many of the looks that are associated with various techniques and processes. The links will take you to both real images (images produed by real cameras and real media) or to examples of digitally created fakes. In some cases even digital looks are faked. There are also a bunch of media types listed that are not linked. They are listed here as to indicate at least of the vast number of photographic looks that are part of the history of imaging.
- cyanotype
- painting
- Black borders
- gum print
- palladium
- Platinotype
- albumen
- Polaroid Transfer
- collodion
- Xerox
- Black and White Video
- pinhole
- Kodachrome
- Vintage Kodachrome
- Fauxtography
- Bromoils
- Cross processing
- Polaroid
- Tintype
- Alternative
- Caffenol
- dot matrix printers
- SX-70
- Holga
- Cell phone
- Tilt-shift Miniature Fakes
- Simulated
- Commodore 64
- Amiga
- Fake postcards
- Faux Vintage
- be Poladroid !
- Hipstamatic Fake
- Fake-a-roid
- Faux Film
- photographic images without a camera
- PHOTOGRAM
- Home made negatives
- retro photos
- FAKE OLD PHOTOS
- Lomo or Fauxmo?
- Cyanonegatives
- Process Photography
- Camera-less photography
- Faux-keh
- vintage inspired
- Pseudo TTV
- Fake Film Effect
- Digital Polaroids
- TiltShift Generator
- Phoney Diana
- Fakin' da Holga
- Fake XPRO
- Fake DoF
- Instamatic
- calotype
- Anaglyph
- postcard
- negative
- poster
- Big grainy color
- Dirty lens
- Diana
- Bleached
- False color
- Faded
- Phot Coies
- Type 55PN
- 50's Snapshot
- toy camera
- 120
- vintage camera
- Stereo
- 35mm film
- airbrushed
- TTV
- 110 film camera
- Pinhole
- Zone Plate
- Out of focus
- Infrared
- False color
- Toy camera
- Lomo
- B&W print
- Distressed
- bokeh
- broken cameras
- Freelensing
- Photo Booth
- GameBoy Camera
- Video Frame
- lithograph
- Carbon process
- DOF
- 3D
- 4X5
- Kodak #1 round
- Noise
- Flair
- fade
- camera shake
- grain
- tone
- Double Exposure
- Multiple exposure
- Zoom effect
- Vignette
- hand coloring
- Light stream
- Contact Sheet
- Xerox
- Liquid emulsion
- Drawings
- Sketches
- Sprockets
- Wet Plate
- platinum
- Dust
- Scratched
- Line art
- Finger prints
- Torn
- Folded
- jpeged
- Feedback
- Static
- Marked
- pixelated
- jpeg artifacts
- anamorphic
- Blotchy
- Super saturated
- Lumachrome
- Defocused
- WebCam
- Cartoon
- Polaroid transfers
- Kaleidscope
- KeyChainCams
- Anamorphs
- Toy Digital
- TV
- Pixels
- Cibachrome
- 50's TV
- iPhone
- End of roll
- Tiny digital
- Autochrome
- Negative
- Vandyke Brown
- Harris Shutter
- Tilt Shift
- Security camera
- Mug shot
- Video stills
- Movie frame
- Half frame
- Grain Brain, Noise Joys
- Monotone
- Duatone
- Halftone
And these are just a few of the looks that are out there.
Why do we like these looks?
I believe it is in part because they embody the past. They are what we are familiar with from our memories. They represent the things we find in galleries, in old magazines and books, in picture boxes, on the mantle, in our histories and in recollection. They are nostalgic processes, crops, tones, textures, patinas and timeworn looks, created by the cameras, processes, materials and subjects that were photographed. They are the foundation for what we call photography.
I also believe that we are all looking for something deeper than what digital has given us so far. Not that there is anything wrong with digital, but perhaps because digital is just too new.
Much of what is happening now is seen by many as over processed, hyped, gaudy, limited, and maybe for some, too easy!
I believe at least some of us are in the process of reinventing what we want photography to be and are looking to the past for ideas.
The one thing that we can say about all photography is that it has had many different appearances.
In my photographic and digital life, I am happy to say that I have had the pleasure of playing with the real cameras, real processes, and real techniques listed above and many others that are not. To me and those that have, there is nothing like the real thing!
At some point, I will discuss the idea of altering history and current events using the original context of Fauxtography. That form of Faux is used for propaganda, marketing and other evil exploitation.
Personally, I like keeping things real!
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