It's not the gear. It's how you use it.
From my point of view, buying a new camera or lenses is a bit like being a kid in a candy store with a vast array of tempting morsels to choose from but only a dollar to spend. As anyone who dabbles in DSLR photography can testify, new photo gear is rarely cheap. The cost of various equipment typically ranges from "Okay, I can pretty much afford this" to "Holy ****, you've got to be kidding me!?" Furthermore, camera manufacturers are constantly coming up with new and improved models of this or that gadget. Even if you're already pretty much well-equipped with a great camera body and a decent array of lenses, you may regularly worry that perhaps if you had THAT model or THAT lens, your photographs would be THAT much better ...
This is not necessarily the case. Obviously it depends on your financial means and what it is you're planning on doing with your camera, but owning the latest and greatest equipment is not a prerequisite for creating great photos.
Now, because I'm not really any sort of expert on the latest camera gear, I'm not about to go into any lengthy discussion on what you should consider when buying a camera or camera-related stuff. That's what Google is for. However, I'm very often asked what gear I personally use, so the least I can do is address that particular question. The following is a rundown of the gear I've accumulated since diving headfirst into digital photography five years ago.
Canon EOS 350D + 18-55mm kit lens.

Tripod + cable remote:

Canon 10-22mm f.3.5 lens (this soon became my favorite lens as I immersed myself in long exposure experimenting)

Canon 100mm f.2.0 lens:
ND400 filter: For shooting long exposures in daylight and during bright Icelandic summer nights.

Canon Speedlite 580EX with STE2 transmitter (for off-camera flash lighting, particularly fun outside)
Canon 5D + 17-40 mm lens (Huge investment. Purchased in 2006 because I was hired, out of the blue, by Toyota in Iceland to shoot an ad campaign, and I realized that my 350D simply wasn't pro enough. Pretty good excuse to get a new camera. This is what I'm still shooting with today.)

Canon 15mm f.2.8 fisheye lens (I love this lens. More examples here)

Canon 50mm f. 1.4 lens (I was all set to buy the far more expensive 85mm f/1.2 but chickened out at the last moment. No regrets; it's a great lens and fairly inexpensive as well.)

Cordless remote for the 5D
Gorillapod. I was in NYC for a week in March this year (my first visit to the U.S. in 17 years in fact), visited B&H photo and managed to leave with only this one item. I was told by several photographer friends upon returning to Iceland that I suck at shopping. This is probably true. In any case, the Gorillapod is a neat gadget I'm very happy with.
So, as you may have noticed, I've not updated my camera since 2006. Personally, I'm of the opinion that if something does what I need it to do, I'll happily use it until it stops working. (This reasoning applies to my car, computer and any household appliances, as well as the camera stuff.) Case in point: my tripod is missing the crank used to extend it to its fullest height (broken off in the midst of some overenthusiastic height adjusting). The glass in my ND filter fell out when I dropped it on rocks two years ago, and I superglued it back in place. The autofocus on my camera is pretty much shot, but the thing still works in all other ways. Good enough for now ;)
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Comments
Yes! How many times have I said the same thing to someone - it's not the gear, it's the photographer. The problem is that it's much easier to tell yourself that if you only had this or that camera, then you'd get better pictures; when the truth is that you might get better pictures if spent more time reading great literature.
Okay, it's something of an exaggeration because what it really is - is you need the right equipment for your own vision, or style, or whatever you call your art.
My current camera is a 500D which I went to from the 5D. And for me - this is the right camera.
Most of the great photographs taken by the greatest photographers in the history of photography, were not done with the technology we have now. Your camera does not need to be the latest or the greatest. I would guess that the majority of images ever produced were captured with a normal lens. Almost every camera ever made comes with one of those. Great photographers make great images with what is available. It is about connecting with what you have at the moment.
@Dave: "when the truth is that you might get better pictures if spent more time reading great literature"
I love this.
So true.
;)
Breaking the crank on your tripod is probably a good thing since raising the center column lessens the stability of your camera.
BTW, some filter manufacturers will repair a filter, that has popped out of its ring, gratis. Some camera shops have the tool to put them back together too, if you have the retaining ring.
I have two remotes for my Nikon, wired and wireless, neither of which cost me over $25 US new. They may not be as robust as the Nikon brand units but I'm careful with my equipment and the money I saved went towards more gear.
Certainly some cameras allow you to accomplish specific photographic tasks more easily than others. But just as clearly, knowing how to use photographic tools, in conjunction with imagination and an ability to envision scenes (or setups), is more important than the brand of camera you are using. These are really interesting and nicely done photos.
wow love your stuff and turned my daughter (photographer/ cinematographer- in LA, USA) onto your work. She was debating whether or not to buy the 5D- after seeing this article, my bet is she will.
best
e
Having just purchased a 7D with a 18-135mm kit lens, a tripod, Promote remote, and feeling sorry for myself about my images, you just reminded me what is important. Most of your great images were taken with that 350D and Trey Ratcliff has a photo hanging in the Smithsonian that was taken with a D90. I need to spend a little more time taking images with what I do have and less time worrying about what I don't.
*I truly feel blessed with abundance. Since starting Full Sail University in 2009 I now have a Macbook Pro, Adobe Creative Suite CS4 Master Collection (order the CS5 upgrade yesterday), Lightroom 3, a Canon7D with 18-135mm 3.5-5.6 IS lens, an Induro APO tripod, and Promote Remote and a family that endures my constant obsession with taking photos of them.
Attached is an example of something I created with what I have
Excellent article I have a DSLR but I now tend to use small Leica dlux3 or my Ricoh GX100 a lot. The ricoh has a great wide 24mm and a terrific 1cm macro plus I can add filters using the adapter tube while still carrying a lightweight camera. The leica is a dream too. i enjoy your Icelandic photos.
http://www.flickr.com/photos/leica-torquay/
http://www.flickr.com/photos/airtorbay
It's not the gear, it's the person behind the gear...so true but so many people don't understand...
I will write down your recommendations of lenses, the Canon fisheye and the Sigma wide angle look like great investments!
I was inspired by Rebekka and started shooting photos.
So,Rebekka this is for you
Great article! You focus on your art and not the tools. I have done some of my best work with the cheapest DSLR cameras and lenses on the market. Your eye is still the best photographic tool you will ever have. My photos can be seen at http://stylepeterson.com
So true. Even after getting my new camera (which I love), I continued using my old 350D - it's still a great camera, it's light and just perfect for walks when I don't want to carry heavy gear and my photos with the new one are not even slightly better than those taken with the old one. I even started using the kit-lenses again although everybody still continues telling me those ones suck.
Well for me - I love shopping photo gear but the real kick is getting out and start shooting!
You images are great, you must have a really good camera!!! Just kidding ;-)
I love your landscapes and wonder what is your opinion on using graduated neutral density filters in this day and age. Do you use them? Do you hand-hold them in front of your 15mm lens? Are they worth buying if one is already familiar with local adjustments in Lightroom and blending exposures in Photoshop?
I couldn't agree more. I use a 5d mkI w/ a 24-70L ƒ2.8 and a 50 ƒ1.4. My gear isn't the newest or the best but it still great. When I shoot concerts I tend to see the other photographers rocking 5d mkIIs (usually with a second body) and a variety of L-Series glass. My photos come out better in my opinion because I believe in shooting fully manual and knowing your limits. This will carry you far but having a good eye is by far the most important thing in my book regardless of what you shoot with.
I'm enjoying these articles by the way. Keep 'em coming.
Oh sweet we can add pics! This was taken last week at the Nosaj Thing/Mary Anne Hobbs show @ the Music Hall of Williamsburg
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