Lens Flare - and how to avoid it

I get a lot of people sending me images with ‘mysterious’ problems, and I figured it was only fair if I run a series of articles about how you can alleviate these problems. The most frequent problem is actually a lens-flare related problem, and there seems to be some confusion as to what lens flare actually is.
I suppose the first thing we should discuss is just what lens flare actually is. Most commonly seen in photographs, lens flare can appear as bright circles, smears of light or glimmering lines.
On some occasions, it can even appear as a thin film over the entire picture that makes the image itself lighter.

Why does this phenomenon occur? Lens flare is normally seen because the photographer took the picture into the general direction of the sun. The basic idea is this – some sunlight gets into the camera lens at just the right angle that it bounces around the interior of the camera until some of it ends up on the film.
If that’s the case, then how can you test your camera to see how it deals with the lens flare issue? First and foremost, there is the obvious way of aiming it right at the sun and taking a picture. This is the most common way to get your lens to produce lens flare, but not the only way. In fact, some lenses have no problem taking photos towards the sun, but fail miserably in other tests.
A second way to test for lens flare is what is known as the ‘window test’. Aim the camera someplace indoors, but have a bright window just out of the view of the lens. If your image, upon developing ended up with the tell tale signs of lens flare, you know your camera can’t handle that sort of situation so well.
Another way that you can test your lens is the ‘bird in a tree’ approach. For this, aim your camera at a bird (or something of similar size and detail) against a bright sunny sky, but without aiming directly at the sun. Check for contrast loss at the edges of the bird or object. Generally, what you will see is the light ‘swallows’ up the outer edges of the bird. The more of the bird that is ‘swallowed’ up, the more lens flare is occurring in this case.
These aren’t the only ways to come up with lens flare. In fact, you don’t even need to have lens flare show up in your original photo to have it appear later. But why is this? Well, Photoshop has come up with its own ‘lens flare effect’ that you can apply to your images long after you’ve originally taken them. It offers a wide range of options to choose between to get you the look you are after.
Okay, so I thought we were trying to avoid lens flare. Why would Photoshop come up with something people try to avoid? For the simple fact that lens flare shouldn’t always be avoided. In fact, it can a little something extra to your images when used in the right circumstances.
Thing is, well, there are very rarely ‘right circumstances’ for lens flare: There’s an excellent reason for why photographers have been trying to avoid them for dozens of years, and it’s a bit daft to try and use software to put ‘em back in…
Is there an easy way to avoid lens flare?
Why yes, there’s a very easy way: Keep your lens-cap on your camera when you’re taking photos!
Okay, so maybe that’s not the most convenient piece of advice. It does have a kernel of truth, though: If you can stop direct light (from flashes, reflections, or sunlight) hitting the front element of your lens, the lens flare effect will be reduced significantly, or even eliminated altogether!
To keep the light out of your lens, you can block it out with your hand (not particularly convenient, as you’ll need both hands to operate your camera most of the time), you can get a friend to block out the light with a reflector, or just by standing in the sun so the front of your camera is in the shade.
Alternatively, you can use a lens hood (it’s one of those attachments that go onto the front of your lens – on the picture above, it is the flowery-shaped attachment), which will go a long way to blocking out stray light. You can also get straight lens hoods (without the flower-shape), or you can even make your own.
Guest article by Amanda Stachowski (thank you, Amanda!). Photos are all CC photos from Flickr, by Ian BC North, Yuan2003, ratkinson and K Sawyer.
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Comments
another anti-lens flair trick:
if you keep getting flare and can’t figure out where it’s coming from (for instance: if you’re using multiple light sources, flags, reflectors, etc), get in front of your camera, look directly straight into your lens, and any light (source) you see reflecting back at you is your culprit. flag/block it and keep shooting.
any protection around the lens can help. i’ve used a piece of paper, cardboard, plastic as makeshift lens hoods while in a bind. just make sure they are not too big for your lens or they’ll show up in the frame…
I basically had the idea when I was 18 that I wanted to write my own songs. I knew it was going to be a long, tough road, and I was like, if I just begin now, by the time I'm 40, I'll be good at it.
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I always shoot with a lens hood day or night but found that at night (street photography) street lamps always give a lot of potential lens flare, here I remove the UV filter from the front of the lens, just gives one less piece of glass for light to bounce between.
At least now with digital cameras we can usually see the flare!
Anyone remember the good old days of groaning when the lab sent your prints back?!
I like to use the lens flare when I can to help give a graphic presence to the light. Of couse I know how to control it so it’s only a matter of artistic placement, that photo shop can control.
Good information, it took me a while to realise how much a hood can reduce lens flare! Now is permanently on.
Since lens flare is a common happening (I have 1 or 2 which would be really great without the flare spots ruining it), is it possible to do an article on how to remove those spots in photoshop??? I have just spent 2 hours trying to remove it and keep the photo looking great but my photoshop skills are minimum. I was a believer that if I coundnt take the photo properly first it isnt good enough. Had never used photoshop other than converting to black and white.
Lens flare can actually be a great thing — as mentioned in the article, it can add a lot to a photo. One of my personal favorites (Quincy Steam Engine) has serious (natural) flare in it, but it adds to the photo by emphasizing the feeling of a glaring sun on a hot steam engine. Don’t be afraid of flare — just be sure you have a reason for having it when it shows up in your photos.
I thought it was funny to see what picture you picked for the “photoshop lens flare” effect. I find that you can also get flare even when your lens isn’t pointed directly at the sun, it can also be when bright sun comes across the lens just a certain way.
I took pictures of some of my friends recently and one friend and her family LOVED lens flare and the other hated it. I guess it is very subjective : )
Great article, useful tips.
I could add that when dealing with flare, setting a wide aperture (f/2.8, f/3.5 etc) can sometimes create an unpleasant wash-out effect. You should reduce the aperture size to f/22 or lower if you can. The sun will now look like a star!
Read more in my similar blog post: http://www.alexandruvita.com/blog/2010/08/19/shooting-into-the-sun/
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