Mastering Splash Photography: The Magic Behind Our Liquid Photographs

Learning how to create fascinating splash images: liquid photography tutorial

Have you seen those amazing images made from a liquid splash when its formed quite recognizable objects, such as animals? I was exploring the technique for a while, and in this article I'll show you how we work with the splashes. 

Update:
I run my first masterclass (Was in Atlanta, 11th june), check put the outcome:
It was a blast: Splash photography masterclass in Atlanta

Lets look at this example below:

bufferfly_splash_liquid_photography_alex_koloskov.jpg

Curiously, the lighting is not the most important part in such photography, but the technique of producing the splash is what makes the shot. Good shaped splash can be used to create an interesting images during the post-production. The image above (hi-res version of it) consumed 6 hours of our retoucher work, and this was just an example of what can be done (Full article about post-production of this butterfly is on our retoucher's blog: How we did a water butterfly. We have combined few drops, but the butterfly "wings" was from a single splash.

Here is how such splash looked like from outside the camera:

liquid_splash_photography_lighting_setup_by_koloskov.jpg

2 Light sources (PCB Einsteins in action mode): one behind the splash through stripbox, pointed up to a white screen, second on the left through the softbox. Transparent liquid (water in our case) looks very sexy with the gradient lighting behind it, and stribox did work very well. Softbox on the left was mostly to create sparks on our splash.

Flash duration was about1/6000 seconds, Einstein was set to an action mode. BTW, when I was trying to use Einstein in a color mode I've discovered some very unpleasant behavior. Can't tell you more at this point, need to double check everything and talk to Paul to see what was going on. I promise to post an update, stay tuned.

 


UPDATE (04/05/2011):
I've got E640 tested, here is the result: Paul C. Buff Einstein 640 in-depth flash duration test: action v.s constant color mode

 

 


Few more splashes, as-is from a camera, only camera raw alterations with color/brightness were made. Note the splash shapes! It was such fun to learn how to throw water to produce such cool splashes. At the end of that hour of shooting I could make splash look the way I want.. or at least very close to it:-)

 

atlanta_photographer_alex_koloskov_splash.jpg

liquid_splash_hiend_photography_ny_koloskov.jpg

mastering_splash_by_koloskov.jpg

mastering_splash_liquid_photography_koloskov.jpg

 


Update:

 

We are launching our first Liquid Splash photography masterclass by Alex Koloskov in Atlanta! Join us June 11th for 5 hour masterclass:

I'll show you what no one else does!

l show you how to create an AD shot of the real product “wrapped” by liquid (it may not be water) splash. In other words, I’ll show you how we utilize a splash to get a remarkable WOW shot of the product. The shot you’ll expect to see on a magazine cover. Again, it is not about creating a splash alone. We'll get a complete walk-through of the creation after an AD of the product , from A to Z.

Registration page:
http://akelstudio.eventbrite.com/

 

UPDATE: The Masterclass is now available foir the purchase, clikc on the e-book to learn more:

mastering_splash.jpg


The video behind the scene, it will answer the most of the question you might have. I have few more tutorials about liquid splash photography on the blog, here they are:

 

The video (youtue version is here):


Shoot Specification:
Camera gear:
Canon EOS 1Ds Mark III DSLR
Canon 180mm F3.5 L Macro lens and Manfrotto 454 Micrometric focusing rails
Canon Remote Switch (you do not need to shake the camera when fire a shot)

Lighting, light modifiers and accessories:
Paul C. Buff Lighting: 2×640WS  (Einsteins)
AlienBees/White Lighting reflector and strip boxesPaul C. Buff Cyber Commander 16 channels remote control with CSR+ receivers
Adobe Lightroom 3 and Canon EOS Utility as a remote capture solution for tethered shooting
Photoshop CS5 Extended

Exposure specification: shutter speed 1/250 sec, F13, ISO 100


Comments

Could you tell me when you relase the shutter exactly and how?Is a remote controller in your hand when you spread the water with your palms or what?

Alex Koloskov
Pixiq Expert

Pater,
I have assistant sitting with remote, she release shutter when splash reaches a "designated area".

We work together for a long time, and can catch the right moment fairly easy.

It will be really hard to do such thing alone, but if you'll get a voice-trigger (I've seen such online), you can try to got such shot by yourself only.

Oh, i see. Could you suggest me some voice triggers?

Alex Koloskov
Pixiq Expert

Peter,
Nope. Google, I've read somewhere on flickr people using it.

P.S Sorry for delayed answer:-)

Check out HiViz.com for DIY resources for high-speed photography. Other than being their happy customer, I am not associated with HiViz.

Alex - great vid, thanks for that.

Tell me is your medium softbox a PCB or another brand? I recognize the strip as a PCB.

Cheers, Mal from Cessnock AU

Alex Koloskov
Pixiq Expert

Malcolm,
It is not PCB, but an old Amvona (ebay seller, now gone) softbox.

Thank you!

Thank you for sharing this. You are the master!

oh WOW. I'm instantly a big fan. I have been watching your stuff for a couple of days straight so far and it's very encouraging. I thought this was pretty much off limits to newbies like me. I can't wait to try making something similar to this. Please keep them coming! POGALUISTA!!!:)

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