More with Less: Light and Strobes
In this age of digital photography do we still need to make the arguments for portability in lieu of power when it comes to lighting systems?
Unfortunately, I think the answer is yes.
Don’t get me wrong here. I love big strobes with very large soft-boxes and all of the creative power and precision that comes with that type of equipment. That’s how I got my start. In a portrait studio with big strobes, big power, and big light.
Now, I almost exclusively use small strobes.
More with less. That’s what we can accomplish now. More with less.
The less we’re bothered by big heavy equipment the more we can accomplish when we arrive at our destination fresh and ready to work.
Yes, it takes a while to let go of those big strobes. It took me a while to realize that I could actually use my small off-camera flashes and get similar results. Sometimes I even got better results. Not because the light itself is better, but rather because I was able to be more flexible and harness my creativity.
It was like loosening the leash and allowing this old dog to run around the yard a little more (that’s something we say out here in West Texas). I’m not really that old–really.
Besides, nowadays there are so many soft-boxes, shoot-thru umbrellas, snoots, stands, etc for small strobes. Most of this is thanks to David Hobby. He may not have started small strobe shooting, but he was one of the first to really begin to take it to the level we have now and by blogging about it he was able to build one of the biggest movements in photography. I mean, you have heard of Strobist right? Thought so.
So if you’re an old pro looking to give your back a break, then break out those little wonders of light. You’ll be thankful you did. I know I was.
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Comments
Light is the main part of a photograph and proper illumination is necessary. Both the low and high extremes are harmful
Ignacio - I do agree that proper illumination is necessary and one of the most important aspects of a photograph, but a good control of your creative work inside those limits can actually allow a creative photographer the use of the low and high extremes.
I've seen some amazing work by photographers who tend to blow-out highlights and conversely have seen some really great work by others who produce amazing work in the lowest light situations.
I think it's about playing within the limits you're comfortable in while stretching yourself creatively and technically.
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