Phoenix skateboarders told not to take pictures of the federal courthouse
Skateboarding is not a crime but photography apparently is a crime. At least in Phoenix where there have been several recent reports of photographers getting harassed by cops in the downtown area.
The latest incident involves a pair of skateboarders and a photographer named Marco Perez who arrived at the beloved Sandra Day O’Connor Federal Building last weekend to take some action shots.
But a security guard approached them and told them they had to leave the property because it was closed.
However, he did assure them that they were allowed to take photos of the courthouse as long as they stood on the sidewalk.
So they stepped down onto the sidewalk and set up a light stand with an umbrella and started taking their shots, including the one above with the courthouse in the background.
When they were done taking photos, a Phoenix motorcycle cop pulled up and asked to see their film permit.
“He told me I needed to have one and I could NOT take pictures of the courthouse,” Perez said in an email to Photography is Not a Crime.
So basically we have a situation where the security guard understands the law better than the police officer.
Ironically, the cop didn’t say anything about their skateboards. He probably didn’t see them skating off the walls. Or maybe harassing skateboarders is just so passe.
“He said things like, ‘remember Oklahoma’,” Perez said, as in remember the Oklahoma City bombing.
The officer also claimed to be the head of the Phoenix Film Office, which states the following on its website:
A Phoenix Film and Digital Media Permit (FDM Permit) is required to film in city owned buildings, parks and public-right-of-ways within the defined boundaries of the City of Phoenix. The FDM Permit covers features, TV series and shows, commercials, web casts and still photography used for commercial use.
Perez said he was only taking pictures for himself and his friends, and that the officer never mentioned anything about commercial photography.
To obtain a permit, one must submit a written proposal of the scope of work, take out a $1 million insurance policy and pay a $100 permit fee.
Oh, and here’s the kicker. One is also advised to hire off-duty police officers at the rate of $40-an-hour for a minimum of three hours.
Perhaps officer friendly needed the hours.
“What is real sad is that downtown was empty at 10 a.m.,” Perez said. “That is why I go, cause I know it’s empty. They just don’t know that these policies are what keeps downtown from being a money maker.
“All these nice properties and no one can capture their beauty. Sad.
“Did you notice the flag I put in the composition… We happen to like America.”
Can you fix the focus on a blurry photo after the fact?
The birth of Mirrorless Cameras
Choosing your first dSLR camera
New York City can be beautiful!
The Fujifilm Finepix X10, A Review
Choosing the Right Light Stand
Photojojo iPhone Telephoto Lens review — AudioCast
My week with Q
How To Become A Successful Photographer
"When the Wind Stopped" — poem with 4 photos
Tips for Textures
Butterflies in Motion
Cast aways - saving those photographic memories
One Man Show: My 25 Years With Digital Photography
Studio, Flash, & Available Light — Three Books Reviewed
Portrait styling: dangerous pairings
Adobe Photoshop CS6 Product Managers Interview Audiocast
A gift of flowers: unfold your senses
On Set of "Love & Robots" the Film
Ilford Galerie Gold Fibre Silk Inkjet Paper — Audiocast











Planning “National Geographic” style photo travel
Wilderness Travel 1 Rainforests – Essential Gear
Backlighting Basics
A Brief History Of Light & Photography: Part 3 of 3
A Brief History Of Light & Photography: Part 2 Of 3
What Moves You?
FIGURES IN MOTION: Decades of Evolving Personal Imagery in Photography, Part 7
Lomography Store, Austin, Texas — GALLERY
GALLERY — Up to $1,000 Reward for Cattle Rustlers
eyePhone: The eBook for iPhone Photographers
Taking your Portraiture Higher
Interview with Harold Davis — Closeup Maestro of Flowers & Water Drops
Interview with Steve Caplin — Photoshop Digital Artist, Commercial Illustrator, & Author
Easy technique to select, edit and sequence keywords for web
How much should you charge for a photograph?

























Comments
same thing happened to a friend of mine on sobe…once the cops see expensive equipment, they ASSUME its a commercial shoot and they harass you so that you’ll spend money with the city! gotta remember, law enforcement-its a business!
Hey,
I feel for these guys. But this one could go either way. I don’t think the rules in Phoenix are well written so that’s why I think it could go either way. I understand downtown is empty when he was there so take some of what I’m going to say here as my being anal as the local cops seem to have been.
If he had only an on camera flash and a tripod I’d say he was right and the cop had a mouth full of horse manure. Of course I know that and on camera flash probably doesn’t give what he’s looking for in the photos.
But he had non-handheld equipment, the off camera flash. He had models, the skateboarders. Because of this equipment he exercised exclusive use of city property. I know no one else is there but that’s the kicker most of the time in how they start defining comercial photography. He put his equipment on the city right of way and it took up that space for his exclusive use even though no one else wanted to use it at the time. His models were riding on the wall and he was standing off the wall.
If you look at what the National Park Service has done this would also probably be consider to need a permit but maybe not.
NYC rules are written much better, http://www.nyc.gov/html/film/downloads/pdf/moftb_permit_rules_final.pdf but he would have needed a permit.
yep, that’s what we marked it up as. the flash was in the right of way, that’s why i felt it was important to include it in the info i gave Carlos. If i would have had someone holding the flash instead of the stand it might not have been a big deal. He said nothing about commercial photography nor obstructing the right of way. The main problem came when he told us we could not take pictures of the court house. He said things like: “remember Oklahoma…” I want the Laws and definitions but they never seem to know them and i can’t find them. Being vague is sometimes done on purpose so they can loosely apply them to situations as seen fit. Money is definitely a factor.
Marco,
I just added the Oklahoma thing to the story and changed the headline because that is even more outrageous than the permit thing.
I really think you guys should gather as many photographers as you can and photograph the hell out of that damn building.
And do the same to the cops when they pull up with wailing sirens.
ok, good thing you can edit on the fly (unlike a newspaper). sorry that didn’t come up earlier… the ’9/11′ security excuse is kinda cliche’ and I hear it all the time. didn’t stick out as odd cuz everyone gives it. I twice was given flak at the Chase building by security guards, same reason. I used to go downtown every Saturday to take pics and watch a movie at the Arizona Center but it is kinda taxing to get bugged constantly.
I was just discussing this with my MIL yesterday. She was of the opinion that using a tripod or other stands would require a permit. I totally disagreed with her. I’m seeing now that there is a good, if somewhat grey, reason for objecting to the tripods. Sure, a whole day of shooting in a public place could be annoying and an obstruction to the public, but me with my dinky tripod on a Sunday morning is harmless. Most cops I know wouldn’t give me any grief about a tripod.
Hell, a few weeks ago, my lovely gal and I were doing some night sky photography when the local sheriff came to lock the gates. She was shocked when I asked him to let me take one more, as his headlights ruined the shot I was working on. She was beside herself.
“But he’s a COP!” she said.
“So? I’m breaking no rules or laws and I asked politely” I said as I set up the shot.
The officer was nice and turned off his vehicle. I thanked him and came up with a nice shot of Orion.
Why did you even talk to the cop?
Because I am a human being, I am civilized and I have manners.
You?
Fonzie: he said “because his headlights ruined the shot”
Talk to cop to have lights turned off… was he just going to WILL the lights to turn off?
Carlos is right, get 100 photog’s together and photograph that building. Have a couple of video cameras to capture all the fun.
If you read the relevant part of The Patriot Act 18 USC Sec. 1992 paragraph 8 it says; “(8) surveils, photographs, videotapes, diagrams, or otherwise collects information with the intent to plan or assist in planning any of the acts described in paragraphs (1) through (6)”
So all of a sudden the cops think this means that anyone with a camera is planning on blowing up something. Taking a photo can’t be an innocent act that is normal and customary. As we all know this just isn’t so. This paragraph is also where the cops come up with the, we don’t know if you are taking photos for someone else to brand us all as suspicious. If I walked around all day thinking every act I observed was suspicious I’d end up in a mental hospital.
Like I was saying on the other post about the cops with the gun disguised as a camera. The cops made one. That means all cameras suspected of being a gun until proven otherwise. Same thing with zip-lock bags. We saw zip-lock bags used to store drugs therefor all zip-lock bags are used to store drugs.
Cops take photos of citizens all the time. They use those photos to prosecute them. That’s the another reason they don’t want photos being taken of them. They are all afraid we will use our photos of them the same way they use photos.
Basically if you can see it from a public place you can take a photo of it.
hm. good one.
who skateboards in flippys?
Post new comment