Photoshop CS5 and Lightroom 3 — A Photographer's Handbook
Workflow is your friend
Read Me First Book Review by John "Nemo" Nemerovski
Photoshop CS5 and Lightroom 3 — A Photographer's Handbook
by Stephen Laskevitch
Rocky Nook Publishers
ISBN: 978-1-933953-67-3
277 pages
$39.95 US, $49.95 CN (Discount pricing is available on the Internet)
This beautifully illustrated book emphasizes coherent terminology and streamlined workflow. Pages are loaded with screen shots and sample photos, with lucid descriptions and itemized steps.

The physical book is extremely attractive and well designed. Everything is bold, colorful, and easy to follow. Color coded edge tabs indicate whether Lightroom, Photoshop, Bridge, or Adobe Camera Raw is being discussed. Ample white space is available for writing notes, although readers may be uncomfortable marking up such a gorgeous volume.
Author Stephen Laskevitch writes as an educator, not a techie. Information is presented so newbies will feel comfortable and experienced digital photographers will appreciate a refresher course. Here is the Table of Contents.
Terms and Concepts, in Chapter 1, begins with basic definitions of essential terms such as pixels, image size, resolution, resampling, bit depth, and color channels. This chapter also has extensive material on color management and digital image file formats. Photo educators need their students to grasp these terms and concepts, but few people make the effort. The experience is relatively painless with Laskevitch as the tutor. Here is the first chapter, compliments of Rocky Nook, in PDF format.
Basic customization of Application Preferences is in Chapter 2. Some other books cover these preferences in excruciating detail, which can be overwhelming to most mortals. Laskevitch insists on only a few specific tweaks that won't intimidate the user or throw an interface out of whack.
The Interface: A Tour conveniently appears next in Chapter 3, and the tour is pleasantly brief. A full page in Photoshop CS5 and Lightroom 3 — A Photographer's Handbook is a masterpiece of clarity, devoted to an astonishingly detailed visual guide to the Adobe Camera Raw interface.

All the above is in Section 1, The Setup, which is a lean 60 pages of useful introduction. The book shifts into gear in Section 2, The Workflow, with 190 pages of distilled wisdom. Most workflow-heavy books are not enjoyable to read, because they are based on the author's own methods, without much flexibility. This book is an exception.
Laskevitch explains that two or three Adobe applications can be used for each of his seven workflow stages: capture and import, organize and archive, global adjustments, local adjustments, cleanup and retouching, creative edits and alternates, and output to print, web, or slideshow. A wonderful full-page chart provides a visual representation of how each stage flows and interacts with the others. Every stage has its own chapter, adding up to a comprehensive, flexible approach to workflow that can be as serious or casual as the reader prefers.

The author has a sense of humor, which comes in handy when subsequent pages switch back and forth between discussing Lightroom and Bridge in his chapter on organizing and archiving. In his pithy example of how he assigns star ratings to imported images, Laskevitch writes "I reserve 5 stars for only those images I think should win a Pulitzer Prize!"
Global Adjustments in Chapter 6 may be confusing at first, because computer users now have multiple Adobe applications for handling cropping and lighting alterations. Photoshop dominates much of the following chapters, because the software is so powerful and versatile for precise and creative image editing. Lightroom sneaks in at the end of Photoshop CS5 and Lightroom 3 — A Photographer's Handbook because of Lightroom's many output options.
This book will make readers feel comfortable and knowledgeable about what each Adobe photography application does, and how to use them individually or in tandem for optimum results. Abundant choices are our friends as we determine flexible workflow methods that can be as consistent or variable as are our personalities.
Read Me First recommends this title for beginners and intermediates to Photoshop or Lightroom who want to understand how their applications work, and use their software for customized image workflows.
- Tagged with:
- Adobe
- Adobe Camera RAW
- Bridge
- Laskevitch
- Luminous Works
- RAW files
- workflow
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Olympus' Micro Four Thirds 75mm prime
Can you fix the focus on a blurry photo after the fact?
The birth of Mirrorless Cameras
The Joy Of Winning A Photo Contest
Choosing your first dSLR camera
New York City can be beautiful!
Choosing the Right Light Stand
Photojojo iPhone Telephoto Lens review — AudioCast
My week with Q
How To Become A Successful Photographer
"When the Wind Stopped" — poem with 4 photos
Creating The New Family Portrait
Tips for Textures
Cast aways - saving those photographic memories
One Man Show: My 25 Years With Digital Photography
Studio, Flash, & Available Light — Three Books Reviewed
Portrait styling: dangerous pairings
Adobe Photoshop CS6 Product Managers Interview Audiocast
A gift of flowers: unfold your senses
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Interview with Harold Davis — Closeup Maestro of Flowers & Water Drops
Interview with Steve Caplin — Photoshop Digital Artist, Commercial Illustrator, & Author
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Comments
I'd certainly like to learn more about how to use the tools in PS5 (I'm more than a mere novice, but far from utilizing the program efficiently), and this sounds like it might be a good book for that.
I'd also like to learn more about the best way to apply LR3 tools. From the title, I thought maybe this book would be perfect, but from your description, it sounds like it might be a little "light" ;-) in detailing the best advantages of the LR tools. Is that true, or do you think I could learn more about image-processing and enhancement portions of LR (rather than output) from this book?
Thanks for your questions, Redsox. This book is primarily an overview, with a few specific tutorials. I can recommend additional titles for your processing and enhancement. How soon do you need this info, and what is the best way to reach you? [Nemo]
nemo --- I welcome any suggestions you might have for intermediate-level user (me) of PS5 & LR3. thanks. me email is k.kopp@mac.com
As a teacher, you rank A plus. As a man with knowledge of photography, you have a digital brain. Your ability to relate your vast repertoire of all things Photographic and Mac related, you really click with your audience.
Continued best wishes
Miles
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