Portrait Retouching Guidelines
How to Use Retouching with Different Age Groups
These retouching guidelines are by no means written in stone. They are just things to consider while you are retouching different age groups. Look for these things and then decide what you should or should not do about them. It’s easy to overlook small things, like blemishes in the eyebrows or a hair sticking out of a nostril. This list is more of a reminder of what to look for and some information about what retouchers generally do. Thanks!
Babies and Children:
Remove:
Rashes
Bruises
Insect bites
Scratches and scrapes – check the body
Blotchy skin
Drool on clothing
Redness around eyes and noses (from crying)
Receded teeth
Soften or reshape:
Extensive drool on the face
Hard edges of lighting
Puffy eyes 50% if the shadows are very dark
Bulges in blankets or clothing
Do not remove:
Specular highlights created with the photographers lighting pattern
Creases under the eyes
Shadows under the eyes
Dimples
Birth marks – unless requested
Freckles
Moles
Stray hairs unless they are distracting
Chipped or broken teeth – unless requested
Do not add teeth – unless requested (additional charge)
Teenagers:
Remove:
Blemishes
Glares on glasses
Scratches and scrapes –check the body
Stray hairs if they are not part of the hair style
Stains or yellow from teeth
Receded teeth
Soften or reshape:
Under eye shadows 50%
Hard edges of lighting
Blend skin tones 50%
Unflattering bulges in clothing
Crooked eye makeup
Do not remove:
Specular highlights created with the photographers lighting pattern
Under eye shadows
Freckles – thin out clusters, remove any that distract from expression
Moles
Dimples
Braces – unless requested (additional charge)
Chipped or broken teeth – unless requested
Do not add teeth – unless requested (additional charge)
Adult Women
Remove:
Stress and fatigue lines
Stress and fatigue shadows
Stray eyebrow hairs
Glares on glasses
Diagonal fatigue lines under the eyes
Blemishes
Vertical lines from around the lips
Stains or yellow on teeth
Receded teeth
Smeared make up
Stray hairs in nostrils
Small lines on the neck
Whispy “beard hair” on jaw
Stray hairs
Bulges in clothing
Veins on the hands and body
Soften, shorten or reshape:
Sculpt and lift body as needed
Thick lines on the neck – reshape and tone down 75%
Shadows under the eyes 35-50%
Shorten vertical lines from corners of mouth to chin 50%
Crinkles around eyes 35-50%
Soften hard edges of lighting
Blend skin tones 50%
Soften oily skin 50%
Correct crooked make up
Tone down or reshape distracting highlights on jewelry
Do not remove:
Specular highlights created with the photographers lighting pattern
Under eye shadows
Wrinkles – soften and shorten if needed after blending
Freckles - thin out clusters, remove any that distract from expression
Moles
Pore structure
Dimples
Double chins – minimize with Liquify up to 50%
Adult Men:
Remove:
Stress and fatigue lines
Stress and fatigue shadows
Stray eyebrow hairs
Glares on glasses
Diagonal fatigue lines under the eyes
Blemishes
Vertical lines from around the lips
Stray whiskers
Shaving rash
Hairs in nostrils and ears
Stains or yellow on teeth
Receded teeth
Small lines on the neck
Stray hairs
Bulges in clothing
Veins on the hands and body
Soften, shorten or reshape:
Sculpt and lift body as needed
Thick lines on the neck – reshape and tone down 50%
Shadows under the eyes 35%
Shorten vertical lines from corners of mouth to chin 50%
Crinkles around eyes 35%
Soften hard edges of lighting
Blend skin tones 35%
Soften oily skin 35%
Heavy bluish beard stubble 35%
Tone down or reshape distracting highlights on jewelry
Do not remove:
Specular highlights created with the photographers lighting pattern
Under eye shadows
Wrinkles – soften and shorten if needed after blending
Freckles - thin out clusters, remove any that distract from expression
Moles
Pore structure
Dimples
Double chins – minimize with Liquify up to 50%
In General:
Remove temporary objects from the face and body.
Remove signs of stress, anxiety and fatigue.
Tone down, sculpt and shape permanent objects on the face and body.
Do not move bone structure or facial features.
Do not remove the photographers lighting pattern.
Do not remove the pore structure.
Do not remove all sign of a man’s beard.
Do not remove the bags under the eyes; soften only.
Do not remove all of the wrinkles on the face; shorten, shape, soften only.
Blend skin tones slightly more on women than on men.
There are a lot of things to look for on faces and every face is different so it's a good idea to evaluate the face before you start and make your plan of what you are going to remove, what you will soften or shorten and what you will leave alone. Look for things hiding in eyebrows or next to nostrils so you won't inadvertently leave a blemish in the middle of the face because it slipped by you.
The plan is to do what you need to do and not more than that - a little bit of good artwork is worth more than a lot of artwork that is meaningless. I do not have an adverse feeling about automated retouching software - but I use it as finishing up jobs that still need a bit of softening after retouching. Retouching, remember is not about smoothing skin tones, it's about shaping light, bringing each feature of the face out to it's best advantage and letting the best expression of the subject shine.
Happy Retouching!
Jane
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Comments
Photography has been a real passion of mine for the last several years, but in the more recent years, editing equipment that has this kind of professional quality wasn't made readily available to the public without paying a HEFTY price! And once you finally get the program, you look at all of the tools, and sometimes its overwhelming, you really don't know where to start unless you have went to school for this. Your guidelines were extremely helpful and grateful to me, I thank you for sharing this information with us, and look forward to any future information you might have regarding these matters.
Thanks, Alan - I'm going to go through everything here. One bit of advice - put the bulk of your investments in EDUCATION, not software and equipment. I'm only using Photoshop here - not everyone else's plug in's and "push the button and do this" add on products. You can even do what I teach here using Photoshop Elements. I'm teaching you what to do - giving you the education you need to make your own decisions about your work. I want you to have the power in your hands. I want you to know what you're doing, why you're doing it and how to do it quickly, easily and beautifully. Happy Retouching!
Thanks Jane, this is a nice checklist. The talent is in the details - some of these sound easy but have been difficult for me in practice. I look forward to seeing more as we go along.
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