Post-processing thinking

When I come home from a major trip as I just did from Indonesia, after I select my favorite images, assign them a number and put them in the appropriate folder in my photo library, I then spend a lot of time looking for ways to enhance, embellish, and dramatize some of them.  Part of my thinking process is to combine photographs to create striking composites.  I’ve done this from the very beginning of my involvement in photography starting in 1969.  With film, I was a lot more limited, of course, in what was possible.  In the digital realm, the sky is the limit, and for a photo artist (this is how I see myself as opposed to a photojournalist) it’s a great time to be a photographer.

The two photos I combined to create this unique vision of Borobudur, the largest Buddhist monument in the world, was a sunrise shot of the 1000 year-old ruins plus a tattooed man with a python I photographed on Bali.  I used Topaz Adjust  to tweak the color and contrast of both images, and then I cut and pasted the subject in front of the background.

 

Comments

Hi Jim. New user here to this site.

I was looking at the image above and noticed that pesky outer line around the top layer image (the tattooed man) when doing composites. What I do is use a small eraser with a soft edge and go all around the image only removing a very, very small fraction of the outer edges, which gives it a more realistic look. This also happens when doing green screen shots and the green bleeds onto the subject in front of it.

In the image I supplied, this was not green screened. The subject was performing on stage, before a live audience outside.

Jim Zuckerman
Pixiq Expert

Thanks for your comment, Michele. I noticed that line, too. In the original 60 megabyte file, I don't see it, but when I reduced the image to a low res jpeg, that line showed up. What I do to eliminate that telltale edge is to shrink the selection (assuming the man is selected) by one or two pixels using Select > modify > contract. I then feather the edge with Select > modify > feather and choose a one pixel feather radius. Then when the subject is placed into a new background, that edge is gone. For some reason, the low res jpeg format revealed something that I didn't see in the hi res version.

Jim

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