Running Cheetah: The Photographic Strategy
Capturing breathtaking beauty and power
One of the most thrilling sights I’ve seen in nature is a cheetah running at top speed. It’s truly breathtaking. There are basically two approaches you can use to capture this fleeting event, and I thought about this for years before I actually had the chance to shoot this. I could use a relatively slow shutter speed (such as 1/30th or 1/60th) to blur the action to a certain degree, and this will produce an artistic image that will imply motion. Or I could use a very fast shutter speed to reveal every muscle and hair on the cat with tack sharp clarity. This will result in a very different image that also will be quite impressive. This is what I wanted to do.
The problem, though, is this: If a fast shutter is used, the background will also be sharp. Panning at high speed to keep up with the cheetah wouldn't help -- the shutter speed of 1/1600th of a second (which is what I used for this image) would still render the background elements with no blur at all. I didn't want that. Instead, I wanted to visually isolate the cheetah from the background and make it stand out prominently. Therefore, my goal was to juxtapose the sharp cat against a streaked background.
In order to achieve that, I opened the sharp image in Photoshop and selected the background with the lasso tool. I feathered the edge of the selection with 4 pixels, and then I chose the pull down menu command: Filter > blur > motion blur. In the dialog box, I made the streaks of color horizontal and defined the number of pixels to give the background enough blur to look as if the shutter had been fairly slow.
I used a 300mm f/2.8 telephoto, and the camera selected the lens aperture– f/4 – because I used shutter priority.
Fujifilm's X-Pro1, now M Mount friendly
Olympus' Micro Four Thirds 75mm prime
Can you fix the focus on a blurry photo after the fact?
The birth of Mirrorless Cameras
The Joy Of Winning A Photo Contest
Choosing your first dSLR camera
New York City can be beautiful!
Choosing the Right Light Stand
Photojojo iPhone Telephoto Lens review — AudioCast
My week with Q
How To Become A Successful Photographer
"When the Wind Stopped" — poem with 4 photos
Creating The New Family Portrait
Tips for Textures
Cast aways - saving those photographic memories
One Man Show: My 25 Years With Digital Photography
Studio, Flash, & Available Light — Three Books Reviewed
Portrait styling: dangerous pairings
Adobe Photoshop CS6 Product Managers Interview Audiocast
A gift of flowers: unfold your senses
On Set of "Love & Robots" the Film
No-Brainer Setup For A Digital Photo Frame Exhibit - Part 3











San Diego 7 photo gallery — Just Be Love All Stay Cool
Planning “National Geographic” style photo travel
Wilderness Travel 1 Rainforests – Essential Gear
Backlighting Basics
What Moves You?
FIGURES IN MOTION: Decades of Evolving Personal Imagery in Photography, Part 7
Lomography Store, Austin, Texas — GALLERY
GALLERY — Up to $1,000 Reward for Cattle Rustlers
25% off on photography eBooks
eyePhone: The eBook for iPhone Photographers
Interview with Harold Davis — Closeup Maestro of Flowers & Water Drops
Interview with Steve Caplin — Photoshop Digital Artist, Commercial Illustrator, & Author
A Brief History Of Light & Photography: Part 3 of 3
A Brief History Of Light & Photography: Part 2 Of 3
Easy technique to select, edit and sequence keywords for web
How much should you charge for a photograph?








































Comments
Post new comment