What's in the Bag

Michael Clark's Adventure Photography Photo Gear

composite_all.jpgAdventure photography can be demanding on camera equipment and on the photographer. The gear I take with me has to be reliable because if it breaks down that might be the end of a shoot. Often times I take only one camera body and one or two lenses when the location is remote. Of course as you can imagine everything in the image above doesn't really go with me everywhere. I might take a large percentage of this gear on assignment but the reality is I pare this down to the essential gear I will need when I get to the location - especially if I have to climb, kayak, mountain bike or trek far from civilization.

mclark_gear_0309_087.jpg

To get all of the gear to the location I take fully loaded backpacks like the Lowepro Vertex 300 AW (one of my favorites) and also Pelican Hardshell cases like the Pelican 1610, which houses my Elincrom Ranger lighting gear on location. Once I get to the location, I break the gear down into smaller camera bags like the Lowepro Toploader Pro 75 AW, which I use with the Lowepro Street and Field series deluxe belt and some lens cases. This system (as pictured below) allows me to customize what I take with me, protects my gear and also allows me to take the minimum amount of gear possible. 

mclark_gear_0309_111.jpgFor a complete list of the gear I use to create adventure images please visit the Behind the Scenes section of my website

This Post Comes From

Digital Masters: Adventure Photography: Capturing the World of Outdoor Sports

Digital Masters: Adventure Photography: Capturing the World of Outdoor Sports

Digital Masters goes extreme! This beautifully produced guide by Michael Clark is the newest entry in the series, as well as the first book on a fast-growing photographic genre: shooting today’s popular extreme outdoor sports, from mountain biking and ice climbing to surfing, BASE jumping, and more.

Clark is one of the world’s most respected adventure photographers, and he offers sage advice—gained from years of hard-earned experience—on equipment, techniques, and the specific skills required to get in on the action. Learn to capture fast-moving subjects and deal with harsh conditions and horrible weather—even when you’re hanging from ropes and riggings in a squall. Of special interest is the Portraiture and Lifestyle chapter, which covers increasingly in-demand techniques.

Budding professionals will particularly enjoy Clark’s “Stories from the Field,” chronicling his wildest adventures in the pursuit of the perfect action shot.

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