When not to use your flash
Know the strengths and weaknesses of your flash...
It always amazes me how often people just leave their flashes turned on all the time – or, more accurately, how great people’s faith is in the camera’s ‘automatic’ setting. To wit: I recently had the pleasure of dragging myself out at bed before dawn to photograph the sunrise at the legendary Angkor Wat temple in Cambodia. Now, this temple is famous for being beautiful and facing west, which makes it great for sunrises. Multiply that with the fact that Angkor Wat is a tourist trap of epic proportions at the quietest of days, and you might imagine that the place attracts a fair few people.

I got to the location by the light of my flashlight – and slowly the sky started changing colors, as the sun was climbing its slow ascent past the horizon. Unsurprisingly, lots of my fellow tourists were taking photos of the sunset. Surprisingly, a huge proportion of them were taking photos with a flash.
When is a flash useful?
All flashes have a ‘guide number’. This is a number given in feet and meters, and gives a good indication for how far away you can expect the flash to reach. Typically, for a compact camera, the flash range will be 5-7 meters (16-23 ft). The pop-up flash built into an SLR camera can have a range of 10-15 meters (32-49 ft) at the most, and EVIL cameras tend to fall in between the compact cameras.

A flash having to be fully charged and fired at full power isn’t great for your camera’s battery life, and it takes a relatively long time to cycle the power (i.e. from taking a photo, until your camera is ready to take another shot), which isn’t all that helpful when you’re standing around waiting for your camera so you can take another picture.
In general, it’s recommended to try to keep your flash at around 50-70% of its output – this tends to be a nice balance between flash charge time, and battery usage. This means that on a compact camera, you should only expect about 3 meters (10 ft) of useable flash range. That’s perfect for indoor snapshot portraits when it’s dark, and not for a lot else.
If you want a flash that charges faster and has significantly more power, start looking for an accessory flash.

When’s the flash not useful?
The built-in flash isn’t very powerful – so unless you are taking a photo of someone that’s close enough that you can throw a stuffed animal at them, turn off your flash.
Whatever you do, don’t be one of the hundreds and hundreds people at a famous landmark after sunset, taking photos with your compact camera with the built-in flash turned on: There’s no way your flash is going to reach that building 600 yards away, so you may as well save your battery…
Do you enjoy a smattering of random photography links? Well, squire, I welcome thee to join me on Twitter - Follow @Photocritic
© Kamps Consulting Ltd. This article is licenced for use on Pixiq only. Please do not reproduce wholly or in part without a license. More info.
Fujifilm's X-Pro1, now M Mount friendly
Olympus' Micro Four Thirds 75mm prime
Can you fix the focus on a blurry photo after the fact?
The birth of Mirrorless Cameras
The Joy Of Winning A Photo Contest
Choosing your first dSLR camera
New York City can be beautiful!
Choosing the Right Light Stand
Photojojo iPhone Telephoto Lens review — AudioCast
My week with Q
How To Become A Successful Photographer
"When the Wind Stopped" — poem with 4 photos
Creating The New Family Portrait
Tips for Textures
Cast aways - saving those photographic memories
One Man Show: My 25 Years With Digital Photography
Studio, Flash, & Available Light — Three Books Reviewed
Portrait styling: dangerous pairings
Adobe Photoshop CS6 Product Managers Interview Audiocast
A gift of flowers: unfold your senses
On Set of "Love & Robots" the Film
No-Brainer Setup For A Digital Photo Frame Exhibit - Part 3











San Diego 7 photo gallery — Just Be Love All Stay Cool
Planning “National Geographic” style photo travel
Wilderness Travel 1 Rainforests – Essential Gear
Backlighting Basics
What Moves You?
FIGURES IN MOTION: Decades of Evolving Personal Imagery in Photography, Part 7
Lomography Store, Austin, Texas — GALLERY
GALLERY — Up to $1,000 Reward for Cattle Rustlers
25% off on photography eBooks
eyePhone: The eBook for iPhone Photographers
Interview with Harold Davis — Closeup Maestro of Flowers & Water Drops
Interview with Steve Caplin — Photoshop Digital Artist, Commercial Illustrator, & Author
A Brief History Of Light & Photography: Part 3 of 3
A Brief History Of Light & Photography: Part 2 Of 3
Easy technique to select, edit and sequence keywords for web
How much should you charge for a photograph?







































Comments
Other than not being able to reach the target, it's also extremely annoying for anyone caught in the line of fire...
A few weeks ago I was in line at Cade's Cove at GSMNP waiting for the 7am opening. It was still dark outside and I was walking back to my car from taking some moon shots. The person in the car behind mine then decided to also take moon shots, only he decided this as I was walking in front of him. Sure enough, he left his flash on and I got hit with it from about 25 feet away. Now, being "flashed" in daylight at that distance wouldn't have been a problem, but with no sunlight to speak of it was bright enough to make me double over...
Be kind to your fellow photographers... Don't use your flash in the dark when they're walking in front of you, please.
I witnessed the same at the Blue Mosque in Istanbul. Huge numbers of people taking photos of it at night, from a good 300-400m away, most of them with flash. I'm not a fan on built-in flash at att, which is why I wasn't worried by the lack of one on the E-P1. If I want to use a flash, I'll use a proper one.
By and large I agree, the flash is not likely to have any effect on such a distance - on such an object.
Continuing the "when not to" theme somewhat, however, there are a couple of situations where flash might be unexpectedly useful:
a) wildlife: a deer won't be scared by a flash, and you'll get a glint of life in its eye. Note that, because the subject is highly reflective (unlike most buildings), you can have a large distance between you and the animal, or have weak flash, and it'll still show.
b) nature closeups: I do a lot of "intimate landscape" work, closeups of foliage, results in black&white - sometimes adding a dash (around -1.3EV) of fill-flash doesn't show obvious effects such as large shadows, but, pixel-peeping with the loupe afterwards, it seems to have allowed use of a stop lower ISO and/or sharpened-up the edges in low light... the number of times I've favoured the fill-flash version of a shot is quite surprising.
Post new comment